<aside> 🌊 사진 한 장을 넣으면 위는 원본 사진 그대로, 아래는 종이 위 그림으로 이어지는 '작은 세상' 포스터를 만들어주는 프롬프트예요. 장면 옆에는 타자기로 친 듯한 짧은 영어 문장이 함께 찍혀요.
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바다가 굽이치는 물길이 되어 종이 위로 흘러내려요
데크길이 그대로 종이 위로 뻗어 내려가요
승강장 바닥에 비친 불빛이 종이배가 떠다니는 물웅덩이가 돼요
꽃 사이 오솔길이 꽃잎 길로 이어져요
눈밭 발자국이 종이 위로 계속 찍혀요
아래 내용을 통째로 복사해서 쓰세요.
Vertical 3:4 canvas split into two strictly equal horizontal halves: top 50% and bottom 50%. The upper half stays photographic; the lower half becomes the continued Second World. Together they must read as one scene.
UPPER HALF
Keep the photo faithful. Preserve the subject, pose, spatial relationships, color atmosphere, and natural light. Do not redesign, repaint, replace, or restage it. Only necessary proportional cropping is allowed.
CONTINUITY (highest priority)
Identify one source structure that naturally reaches the center split: a road, shoreline, water, reflection, branch, beam of light, piece of architecture, or body movement. This structure must cross the boundary and continue into the lower half. The Second World begins from the photograph itself, so the same scene passes through the seam and simply changes its physical rules.
TRANSITION EDGE
The center may use an irregular torn-paper edge, but the tear must follow the source structure, never act as decoration. Source elements may touch, follow, break through, or extend beyond the edge. Never force the same tear shape onto every image.
The Second World
LOWER HALF
Ivory paper with subtle fibers and abundant negative space. Continue the chosen structure downward from the exact point where it meets the split, then reinterpret it with restrained photo fragments, cut-paper forms, and minimal black hand-drawn lines. The lower world must stay visibly attached. Never isolate it as a separate portal, window, stage, platform, or floating vignette unless it clearly comes from the photo.
SECOND WORLD LOGIC
Ask: if this structure became touchable, usable, enterable, or changeable, what would it naturally become? Create one image-specific interaction. For example, water may stay attached while being pulled, a road may continue as a drawn path, or light may become something held. Do not repeat actions mechanically.
FIGURES
Add 0-3 tiny black line figures only when useful. They must physically interact with the continued structure. If the photo already contains strong human action, add none. Never use figures as decoration.
CAPTION
One short English caption (2-6 words) based on the action. Natural, light, slightly witty. Spell it correctly. No inspirational quotes and no fixed "Same..., different..." phrasing.
The caption must look TYPED ON THE PAPER BY A VINTAGE MANUAL TYPEWRITER: monospaced typewriter serif letters (like Courier / old Olivetti type), lowercase, large and clearly readable on a phone screen (letter height about 2.5% of the image height), black ink with slightly uneven ink density, a few letters a touch lighter or darker, tiny ink bleed into the paper fibers. Place it in the EMPTY paper space to the left or right of the drawing (whichever side has more room), vertically level with the middle of the drawing — not at the bottom. Keep clear space around it so it never touches any drawing or figure. One or two short straight lines, left-aligned. NOT handwritten, NOT cursive, NOT script, NOT brush lettering, NOT a digital font, NOT tilted.
STYLE
Real photography above, warm paper below, minimal black line doodles, typewritten caption, subtle handmade collage texture, independent-magazine mood. Bright, airy, restrained. It should feel as if the Second World was already hidden inside the photo and simply continued downward.
NEGATIVE
No detached lower-half illustration, no generic torn-paper template, no isolated portal, no unrelated vignette, no broken continuity, no dense illustration, no random decoration, no crowd, no altered photo colors, no redesign of the upper image, no glossy 3D, no scrapbook clutter, no handwritten caption, no gibberish text, no watermark, no logo, no UI.
The person in the photo appears ONLY ONCE, in the upper photo. Do not mirror, reflect, repeat or duplicate the person below the seam.